George Salverson had written over a thousand radio plays for the CBC before he became the first television drama editor for the corporation. He wrote scripts for such beloved series as The Beachcombers and The Littlest Hobo, but he kept very little of his writing, being decidedly unsentimental about his work. So when his daughter Julie found a series of notebooks from a round-the-world trip he’d taken in 1963 to work on a documentary about world hunger, she knew she’d found something important. But the writer of these notebooks is not the father she thought she knew. From there Julie Salverson traces a fascinating web of personal and political history, of storytelling, of culture and it’s shaping and of a man caught in a time of great change.

JULIE SALVERSON is a nonfiction writer, playwright, editor, scholar and theatre animator. She is a fourth-generation Icelandic Canadian writer: her father, George, wrote early CBC radio and television drama and her grandmother Laura won two Governor General’s Awards (1937, 1939). Julie’s theatre, opera, books and essays embrace the relationship of imagination and foolish witness to risky stories and trauma. She works on atomic culture, community-engaged theatre and the place of the foolish witness in social, political and interpersonal generative relationships. Salverson offers resiliency and peer-support workshops to communities dealing with trauma and has many years of experience teaching and running workshops. Recent publications include the book When Words Sing: Seven Canadian Libretti (Playwrights Canada Press, 2021) and Lines of Flight: An Atomic Memoir (Wolsak & Wynn, 2016).

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